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Sunday, 29 December 2024

2024 in 100 Songs



We at Blue-in-Green:RADIO are increasingly enamoured by the amazing music we manage to get our hands on each year and are always compelled to celebrate such wonderful pieces of brilliance in any way we can.  So this year, we're unveiling 100 of our favourite songs that we were just over the moon about and desperate to share with you all.  


These year-end lists should always come with the caveat that this is naturally a celebration of the music we were actually able to find and get our hands on so that discovery will naturally continue into the new year.  Also, the list is compiled alphabetically so not ranked in any way.


Please let us know if there's any we may have missed though and we hope some of the below tracks will inspire you all to explore these catalogues and artists further.


1. '0.24_7_20 + 0.352_9_21' by ILL DOOTS 

Sample Pack Experiment 1.Beats

It's been a great year for new music from the Philadelphia-based hip-hop collective, Ill Doots.  With three instalments of their new 'Sample Pack Experiment' releases released this year, there's lots of great music to wrap your ears around.  Following the release of their Ropeadope Records, self-titled debut in 2018, Ill Doots have consistently released an array of singles and EPs showcasing their ability to present a distinct and all-encompassing perception of hip-hop which embraces soul and R&B as well as a more dancefloor-orientated aesthetic.  Consistently innovative and consistently creative, the group's releases are always ones to look out for.


2. '12th Dimension Caravan' by Sun Atlas 

Return to the Spirit; Mocambo Records

Opting to shroud themselves within an air of secrecy, Sun Atlas have not revealed any details about the musicians that actually comprise their ensemble. Other than the fact they claim to be from Los Angeles – (but are they really though?) – nothing further has thus far been revealed.  Yes, we could speculate about the identities of Sun Atlas or imagine the band is perhaps another incarnation of Hamburg’s revered funk and soul collective The Mighty Mocambos – as the Bacao Rhythm & Steel Band also were – but we’ll say no more about that.


3. 'A Morning New' by PVIBEZ featuring Jonny Gow

Multi-instrumentalist and producer, Paul "PVIBEZ" Morgan released his Latin-tinged instrumental single this year in 'A Morning New'.  Featuring flautist Jonny Gow, the summer-infused number once again provides a nice take on the PVIBEZ aesthetic which is always being re-evaluated.  From the R&B sounds of 'The Vibezlab Sessions' EPs or the significantly more eclectic 'X-Perimental Mass' project, Morgan seems to continually enjoy recontextualising his music in line with his own ever-evolving tastes and inspirations.


4. 'A Step to My Dream' by Tracy Yang Orchestra

OR

The eight compositions that comprise the Tracy Yang Jazz Orchestra's debut release, 'OR', place Yang's talents front and centre as a writer, arranger and composer.  An immeasurably talented pianist and highly-decorated artist, OR thrives off the compositions and their cinematic scope, exquisitely bringing the music to life - at times intimate in their nature and at others bursting with scintillating charm and personality.  


5. 'Abyss of My Tea' by Yumeji

The French duo's inspired and effortlessly cool take on alternative R&B has delivered two gems this year with 'Abyss of my Tea' and 'Midnight Moves'.  Comprised of bassist Thegirlfromtutu and vocalist Hermione Bayle, Yumeji's confident swagger is more than justified, particularly when releasing music that's just so good!  With influences ranging from Jamiroquai, George Clinton and Angie Stone, Yumeji offer an exciting take on progressive soul music that will hopefully continue to keep the 'Yumeji' name prevalent for some time to come.


6. 'All at Once' by Bill Laurance & The Untold Orchestra 

Bloom; ACT Music

Bill Laurance clearly thrives from positioning himself and his music amongst various and continually diverse settings - parking the expansive jazz-fusion outfit of Snarky Puppy for a moment, past projects find Laurance just as comfortable alongside 18-piece big bands as much as he is playing every instrument on an album by himself.  'Bloom' finds Laurance returning to his initial classical music roots for a sublime project that boasts as much personality and charm as anything bearing his name has to date.  


7. 'Anywhere You Wanna Go' by Lord Knows 

Lord Knows EP; Mandarin Dreams



8. 'Attachments' by Culross Close

Learning to Let Go; Esencia

New music from K15 is always a wonderful thing but new music from Culross Close may perhaps be the treat that is just that bit sweeter.  While K15's music continually runs the gamut of broken beat, house, R&B and hip-hop, his Culross Close project seems to offer new, jazzier and more intimate-sounding musical freedoms than is expressed through his various other projects. Donning his multi-faceted crown for 'Learning to Let Go', K15 once again presents a sublime revisiting of everything that people resonate with in a Culross Close project – warm musical textures, intricate production and stellar performances and these are in abundance throughout the group's fourth album release.


9. 'Bamako Convention Center' by A Plane to Catch 

Soul Piece; April Records

The fantastic five-piece A Plane to Catch deliver an inspired statement of intent through their celebration of a multitude of styles as far-ranging as Ethiopian compositions to classic 60s soul and 70s funk.  Despite proving to be something of a departure for April Records - who have become perhaps best known for their commitment to contemporary jazz acts including sensational groups like Little North, Kosmos Trio and OTOOTO - A Plane To Catch still represent a brand of cutting edge and pioneering Danish acts which is undoubtedly April's overarching ethos.


10. 'Be Strong' by Akinroots

Multiverse

The French jazz trio present a fairly fantastic take on personality-driven and charismatic jazz that makes for a fantastic full-length in 'Multiverse'.  A highly imaginative release with a hefty selection of tracks, any of which would have made fine additions to this year-end round-up.


11. 'Beautiful Things' by Katrin Merili 

Beautiful Things

'Beautiful Things' marks the new EP release from Estonian-born and now Paris-based singer-songwriter, Katrin Merili, who unveils a compelling debut project.  Comprised of five excellent tracks that relish in their contemporary neo-soul stylings, Merili tackles a range of subject matter that finds her lamenting on love, loss, doubt and self-confidence.


12. 'Beautiful Way' by Cyrille Aimee 

A Fleur de Peau; Whirlwind Recordings

'À Fleur de Peau' marks the latest album release from singer, songwriter and musician Cyrille Aimée, who heralds her arrival with the UK’s Whirlwind Recordings in fairly sublime fashion.  'à Fleur de Peau' serves as both a fantastic introduction to Cyrille Aimée’s music for a first-time listener as well as a definitively rewarding release for longer-standing Aimee supporters as well. A showcase for Aimée's unique concoction of 70's soul, ever so subtle dalliances intro Astrud Gilberto-esque samba inspirations, with a sprinkle of the vocal jazz sensibilities that provided her with those early motivations.


13. 'Bel Gason' (Bwa Bwa Version) by Queen Ci 

Creole Lightening EP vol.1; Oioji Records

The sensational project from the La Martinique-born and multi-faceted artist, Queen Ci, serves as a loving tribute to Creole icon, Cécile Jean-Louis (aka Moune de Rivel).  Queen Ci's affections find an inspired outlet through a distinctive and luxurious soulful house aesthetic.  The EP showcases Ci's wonderful attention to detail through a glorious fusion of various textures over the course of the project's five tracks.  With the songs both intimate and dancefloor-friendly, Queen Ci's 'Creole Lightening EP vol​.​1' builds wonderfully from past Oioji releases and further adds to a burgeoning catalogue of incredible music.


14. 'Bel Komba' by Eugene Neighbrs featuring As Valet 

Wouj Ve Nwe "Dialektics"; Oioji Records

The ten-track release serves as a fascinating and engaging statement of intent brought to life through a variety of different musical ideals that place listeners within the heart of La Martinique.  Eugene Neighbrs confidently navigates a fascinating musical path that fuses traditional Caribbean styles with hip-hop production and deep house-inspired compositions.  The tribal rhythms of 'Pwofitasyon', the sublime soundscape of the As Valet-assisted 'Bèl Komba' and the moody dancefloor gem 'Wav'Em' all serve as highlights throughout a sensational release.


15. 'Better Git It in Your Soul' by Dawda Jobarteh & Stefan Pasborg

Live in Turku; April Records

'Live in Turku' marks the wonderful live chronicle of friends and collaborators, Dawda Jobarteh and Stefan Pasborg, whose two-man project found a delightful setting within the revered confines of Turku, Finland's Flame Jazz live music venue.  For kora player Jobarteh and drummer Pasborg, their combined musical journey was initially unveiled back in 2016 through their collaborative and aptly-titled album, 'DUO'; despite the lengthy wait, 'Live in Turku' marks a riveting extension to that release by capturing their inspired chemistry within a live setting.  Musically, the performance pays tribute to West African tradition and rhythms while still embracing the free-flowing improvisational qualities and imagination associated with live jazz.  


16. 'Blackbird' by Filip Dinev 

Romann

Of Macedonian descent and based in Hamburg, Germany, Filip Dinev's take on contemporary jazz beams with inspirations ranging from Balkan to blues and classical music making his seven-track release an immensely enjoyable experience.  Featuring six original compositions from the pen of Dinev himself, along with an imaginative seven-minute interpretation of the Beatles' 'Blackbird', Dinev and his new trio pace their music elegantly making each listener feel like a welcome and invited guest on the musical journey that is 'Romann'. 


17. 'Blow Out' by Socool

Bathurst

A typically fantastic year for the immeasurably talented Emily "Socool" Sobool with releases for Bathurst, Dragon Trax and independent offerings as well.  Always captivating through innovative compositions, dreamy musical soundscapes and sublime vocals, for this slot we're showcasing Socool's take on the revered Radiohead.  Courtesy of Bathurst Music, 'Blow Out' receives the Socool treatment blessed with a loving reimagining of the 1993 track offering up a notably haunting take on the classic with an enchanting vocal.


18. 'Bonswa' Rickysoul The C3PO featuring Celia Wa 

Elektronik Revolisyon EP Vol.1: Gwokhouse; Oioji Records

Rickysoul continues his long-standing passion for house music alongside Caribbean Gwo Ka percussion for his Oioji offering, 'Elektronik R​é​volisyon EP Vol 1: Gwokhouse'.  The EP's four tracks offer some incredible insight into Rickysoul's musical make-up as the DJ, producer and bassist strives to brilliantly infuse musical styles and eras ultimately expressing his indelible passions towards house and club culture. 


19. 'Brother's Keeper' by Mxmrys 

Black Void Theory

Initially making their names as session and backing musicians, the allure of creating music that would convey their own statements and stories ultimately unified the four Chicago-based friends inspiring the release of 'Black Void Theory'.  The quartet's open-minded and all-encompassing approach to contemporary jazz would always have delivered an unhindered and invaluable perspective with compositions as intricate and introspective as the project's over-arching concept.  The kaleidoscopic 'Brother's Keeper' serves as the EP's highlight - a spectacular introduction to the project with its slightly trippy, but no less sublime, presentation. 


20. 'Celestial Waves' by Uniri 

Infinite Reflections; Astigmatic Records

Spearheaded by drummer Tim "Chiminyo" Doyle, Uniri is comprised of a veritable super group of names including keyboardists Amané Suganami and Al MacSween along with bassist Luke Wynter.  And "super group" is no over statement - between these four names their talents have provided some of London's peak jazz success stories over the last five years or so with a collective roll call of ensembles including Maisha, Golden Mean, Flock, London Odense Ensemble, Cykada and Nubiyan Twist.  A staggering line-up that runs the gamut of contemporary jazz from the spiritual aesthetic of Maisha to the high-energy electronic-infused Cykada.


21. 'Cold Comfort' [Allie Wilding Remix] by igloo two 

Between Time Remixes; Growroom Productions

'between time remixes' marks the latest release from the musician duo igloo two whose new project continues their ever-expanding catalogue via Maryland's Growroom Productions.  With the project remit being to focus on four tracks from the third igloo two full-length, 'between time', released back in 2022, a selection of Washington DC-based talent are enlisted to help shine new life on the release.  Saxophonist, multi-instrumentalist and producer Allie Wilding makes for a thrilling inclusion as her unmistakable noir-like musical textures gift 'cold comfort' with sublime new perspectives that are a real highlight for the project.


22. 'Compass' by Gus La Tempete 

1969; Laissedoudis Records

For the self-professed "beat broadcaster", Gus La Tempete's music has consistently displayed a versatility that allows him to forge interpersonal musical connections from the past - as is the case for '1969' - while also being able to steer his productions towards futuristic and interplanetary realms.


23. 'Crazy DNA' by Benjamin Samuels 

Dissensation

'Dissensation' marks the debut album release from Sydney-based saxophonist Benjamin Samuels whose varied and eclectic new project serves as a scintillating introduction to this emerging new artist.  As a seasoned performer, Samuels regards the genre in the same loving context, creating a record in 'Dissensation' that thrives off of its inspirations and influences.  Having performed and toured alongside the dynamic off-beat electronica of Grouch in Dub, the tribal drum'n'bass of Seb Taylor and the global musical perspectives of Balkan Bump, Samuels has clearly relished in these experiences and fuses them all, along with so much more, into 'Dissensation' - his own perfect vision of contemporary jazz.


24. 'david' by Allysha Joy 

The Making of Silk; First Word Records

The third full-length release from Allysha Joy proved to be an incredible effort from the boundlessly-talented singer, songwriter, musician and producer.  Always steeping her music in deeply personal experiences and emotions, 'The Making of Silk' gifted listeners with perhaps her most impassioned project with so many great tracks to pick from.  But even beyond the album, it's been an incredibly successful year for Joy which has included outside collaborations with Ex Generation, Girls of the Internet and Finn Rees as well as a worldwide tour that has seen performances in Japan and the US.  


25. 'Distant Devotion' by Asha Parkinson 

Possession; Ubuntu Music

Following a multitude of incredible successes for the highly-educated and highly-decorated Asha Parkinson, the release of her new album 'Possession' suitably finds its home on the venerable Ubuntu Music.  An inspired nine-track project that finds the saxophonist, composer and band leader navigate a scintillating course through the intricate musical identity that is Asha Parkinson & Kalpadruma.  A collective comprised of outstanding contributors, each one key to the project's overarching sound, including that of vocalist Rebecka Edlund who provides a captivating layer to the compositions.


26. 'Don't Forget' by Favio Tullio featuring Marta Capponi 

Entanglements; A.MA Records

'Entanglements' marks the new album release from saxophonist Fabio Tullio who returns to his home of A.MA Records six years after his debut with the label.  The album serves as a return to centre-stage for Tullio and it's a celebration of sorts to the art of performance and improvisation that relishes the circumstance of a collection of artists and musicians creating music within a designated space and time.


27. 'Dust' by Blackadder

How do we pick just one track from the incredible year of releases from producer and musician, Ben Blackadder?! Initially having been introduced to audiences via his lush single for David Hanke's Bathurst label, a brief hiatus brought him back with a vengeance with 'On My Mind' marking the third single release in four months.  Everything bearing the Blackadder name this year has proved to be an outstanding showcase of multi-faceted, dance-floor friendly and sublime electronica boasting typically warm and intimate textures and some exquisite use of vocal samples.  The release of 'Fragile' marks a very welcome reunion with singer and songwriter Rebecca Armstrong (Rea) whose terrific vocals finds wonderful backing in the dancefloor-friendly tone of the track.


28. 'Echo of Regrets' by Maya Belsitzman & Uriel Herman 

Pauses in Shades; Ubuntu Music




29. 'Eclectic Soul' by Deaddream

With several single releases now under their belt, the fusion soul outfit from Baltimore, Maryland, present an enticing mix of smooth soul and understated jazz.  With past efforts this year including 'No Rush' as well as their Christmas gem 'Funky Santa', we look forward for more feel good gems from the collective in 2025.


30. 'Enter the Dragon' by Chiminyo 

NRG 3


31. 'Everybody Loves the Sunshine' [Joe Armon-Jones Remix] by Takuya Kuroda

First Word Records

Despite no new full-length release from Takuya Kuroda, First Word were able to make fans of the Japanese-American trumpeter very happy with the release of three awesome new remixes.  In celebration of the label having secured the rights for the vinyl issue of Kuroda's Blue Note release 'Rising Son' in 2014, a bonus remix of the Jose James-assisted cover of Roy Ayers' 'Everybody Loves the Sunshine' comes courtesy of London-based pianist Joe Armon-Jones.  As if that gem wasn't enough, listeners were also thrilled to have seen Kuroda's 2022 album revisited ('Midnight Crisp') revisited courtesy of Detroit legend Waajeed and London legend Kaidi Tatham each tackling 'Choy Soda' and 'Dead End Dance' respectively.


32. 'Fall into Place' by Caoilfhionn Rose 

Constellation; Gondwana Records

Marking her third album for Gondswana Records, singer-songwriter Caoilfhionn Rose delivers undoubtedly a strong contender for album of the year.  Ten tracks equalling absolute perfection.


33. 'Feed the Fire' by Audrey Powne 

From the Fire; BBE Music

After having been embedded with Melbourne's thriving music scene for years, trumpeter and vocalist Audrey Powne releases her debut album to a rapturous reception.  So embedded was Powne within the scene that her heralded efforts secured her the chance to have 'Bleeding Hearts' included within the Brownswood compilation 'Sunny Side Up' (2019) which served to shine a spotlight on Melbourne talent.  'From the Fire' may be overdue but it's proved to be absolutely worth the wait.  Highly recommend checking out the remixes in support of the project from Atjazz and Musclecars.


34. 'First Touch' by Don Glori 

Don't Forget to Have Fun; DeepMatter Records

Originally based in Melbourne until recently relocating to London, Don Glori – a pseudonym for his actual name Gordon Li – was well on his way to establishing himself amidst the wave of Australian based artists who seems to be expressing incredible perspectives on neo- and future-soul, broken beat and nu-jazz.  Likewise, Glori’s imaginative compositions, that find their inspiration among jazz, house and Brazilian music, is equally at the forefront of ground-breaking and progressive leaps forward.


35. 'Five or None' by Shljuka Quintet 

Octave Up; A.MA Records

Embracing the opportunity to revive his Shljuka moniker, pianist Aleksandar Jovanovic releases 'Octave Up' also marking his first for new label home in Italy's A.MA Records.  Jovanovic has long had his roots firmly embedded within Serbia's thriving jazz scene.  A seasoned recording artist, collaborator and performer, Jovanovic brings a wealth of experience to the table, along with a passion to pay due respects to Serbia's jazz lineage. 


36. 'Flirtation' by Florian Arbenz 

Conversation #11 & #12: ON!

'Conversation #11 & #12: ON!' marks the thrilling culmination of Florian Arbenz's twelve-part series that has generated some thrilling instalments.  Having initially conceived the project in 2021, Swiss drummer and composer Arbenz unveiled the first in his Conversation series three years ago with the intention of recording twelve albums each showcasing his music amongst various ensembles.  With a career that has seen the drummer grace stages and studios for over 25 years, his continual search for new ideas and inspirations has led him down a fascinating path and to the release of Parts #11 & #12.


37. 'Fool' by Alessia Piermarini

Singer, songwriter, pianist and loop pedal artist, Alessia Piermarini, delivered an excellent number in her latest single 'Fool'.  With two excellent full-length projects already to her name, 'PG Major 7' (2008) and 'Synth o Matic' (2014), Piermarini's versatile style continues to showcase her talents across a range of genres and styles.  Whether her music finds her composing via a loop pedal or sat behind the piano, Piermarini continues to demonstrate her talent as a one-woman tour de force.


38. 'For Jeanne' by L'Orage 

Water Tower

The Swiss collective L’Orage present their latest full-length offering, 'Water Tower', serving as an incredibly welcome return to their style of improvised and dynamic contemporary jazz.  This album may very well be the most focused L’Orage full-length thus far - there's a certain delight or positivity within the album's compositions that really permeates across the bulk of the project perhaps best conveyed by notable album standouts, 'Art To' and 'For Jeanne'.


39. 'Good Life' [Zo! & Tall Black Guy Remix] by Deborah Bond

What an amazing year for the prolific Tall Black Guy!  I can't recommend enough subscribing to his Bandcamp page as you'll be treated to a slew of excellent exclusives and remixes that could easily have populated a large chunk of this list.  One track that did find its way to an official release however was the collaboration with frequent production partner Zo! delivering a sensational number for singer Deborah Bond.


40. 'Harpa' by JG Stockton 

Dragon Trax

As a label that focuses on electronica, techno and drum & bass, Dragon Trax has steadily accumulated an awesome collection of releases with thanks to an incredible roster of like-minded artists, any of which feature on this year's list of excellent new releases.  As part of a double A-side single featured alongside 'Talken', JG Stockton presents a bouncy, electronic treat in 'Harpa'.  


41. 'Have You Heard' by Dusty & As Valet featuring LaNote 

DA-Typical Combo; Oioji Records

The pairing of long-time friends As Valet with Dusty from Jazz Liberatorz has spawned two brilliant releases this year for Oioji Records.  First, the Jaylib-esque 'Cloud Over Frequency Vol.1' project saw the duo tackle tracks by notable hip-hop luminaries including Mobb Deep and J-Cole compiling a thirteen-track remix project and showcasing their penchant for dusty, jazz-inspired and golden era production.  An aesthetic that carried over expertly to the release of 'DA - Typical Combo' which plays out like a loving homage to both hip-hop beat-style production and their Martinican roots.  With a few tracks featuring vocal contributions from the always-inspired LaNote, we've selected the project's lead single as our standout from the release.


42. 'Hide and Seek' by Irene Serra & Luca Boscagin 

The Great British Songbook

'The Great British Songbook' marks the new album release from vocalist Irene Serra and guitarist Luca Boscagin who present an elegant homage to the revered lineage of British songwriters.  While Serra absolutely soars throughout the more up-tempo songs, there's an exquisite sensitivity afforded to her performance for songs like the album highlight, 'Hide and Seek'.  The Imogen Heap gem from 2005 is a masterclass in break-up songwriting - a track ingeniously performed acapella with use of a harmonizer but, in the hands of Serra & Boscagin, transformed into an acoustic treasure with Serra's beautiful vocal capturing the song's aching emotion.


43. 'Holding Your Heart' by Ex Generation featuring Honeylips 

The Napoli Exchange; Energy Exchange Records

After having spent time in Naples, Ziggy Zeitgeist and Lewis Moody - creating here under the guise of Ex Generation - opted to use some of the Italian music they had become enamoured with as the basis for their new project.  There's a vast amount of Italy's musical luminaries that continue to make a tremendous impact on respective scenes around the world.  'The Napoli Exchange' is very much about capturing Italy's passion for their music and introducing that to the open-minded sensibilities of Zeitgeist and Moody. 


44. 'Hope' by The Space Travelers Union 

The Trials of Bunny John; Most Least

Founded by saxophonist and band leader Ryan Wheless - and finding their home through Asta Hiroki's Most Least label - the space travelers union put forth a thrilling and progressive perspective on jazz that pays loving homage to tradition but also embraces the opportunity to create music that forges ahead to carve out its own path for itself. 


45. 'I Don't Wanna Say Goodbye' by Uyama Hiroto 

Breath of Love; Roph Recordings

It's been a busy year for musician and producer, Uyama Hiroto - with the release of his brand new album 'Breath of Love', Hiroto has contributed two gems to notable compilation releases this year.  From the compilation 'Incense Music for Bed Room', Hiroto's cover of the indelible Pharoah Sanders saw a revisiting of 'Moon Child' early in the year with a cover of Aaliyah's 'At Your Best (You Are Love)' rounding it our nicely.  Sandwiched in the middle was Hiroto's new full-length so with all of this great music to pick from, we've opted with the sublime 'I Don't Wanna Say Goodbye'.


46. 'I Just Want to Wake Up With You' by Helado Negro 

Phasor; 4AD



47. 'Icarus' by Myra Brownbridge 

The Voyage Out

Every sublime thing about Myra Brownbridge's debut album, 'The Voyage Out', paints the incredibly compelling and engaging perspective of an artist considering each composition - and subsequently the album as a whole - as a reflection and embodiment of the key moments, relationships and life experiences that have ultimately brought her to its creation.  As a highly-decorated bassist, writer, composer and educator, Brownbridge's path has already brought so many notable successes her way capped off with a wonderfully accomplished debut outing.


48. 'If I Was Ur Girl' [Goodmood/Zeitgeist Edit] by Goodmood & Ziggy Zeitgeist



49. 'Intertwined' by Amanda Whiting featuring PEACH

The Liminality of Her; First Word Records

Following on from her collaborative effort with Don Leisure last year ('Beyond the Midnight Sun'), harpist Amanda Whiting introduces her debut full-length for First Word records in the form of the outstanding 'The Liminality of Her'.  With past album and EP releases available through Jazzman Records and Albert's Favourites, the new album represents an exciting new era for Whiting's boundless talents and a fantastic (re)introduction to new listeners.


50. 'It Doesn't Matter' by Tess Hirst

HERstory; Jazz Re:freshed

Boasting several projects alongside London bassist Daniel Casimir for Jazz Re:freshed, singer Tess Hirst steps out onto centre stage to present her debut solo outing.  An excellent album bolstered by the dream-team combination of UK talent including Casimir on bass, Sarah Tandy on piano and Richard Spaven on drums.


51. 'It's Natural… Sweat' by Paris Ruel

Paris Ruel's debut solo single 'It's Natural... Sweat' was released early in the year capturing the flair and confidence of the seasoned singer and songwriter.  Having contributed to a multitude of projects over the years - including serving as the vocalist for Yolanda Charles' Project pH - Ruel stepped out onto centre stage with a song befitting his expansive talents.  The always fantastic Rico Garofalo from Lasperanza also guests on sax amidst the track's excellent line-up.


52. 'Kat' by Socool & Ireless

Dragon Trax



53. 'Kaugummi' by KAU 

Sdban Records

Amassing a slew of single, EP and full-length releases over a comparatively short time, the Belgian trio of KAU unveil their double A-side single this year in 'Kaugummi' and 'Mad Kau'.  As noted improvisers, much of their no-rules approach to music is masterfully captured by the KAU trio throughout their music with compositions continuing in their now synonymous vein of joyful exploration.  With a special mention to their sensational album 'The Cycle Repeats' released last year, the musicians seem to celebrate the luxury of the playground afforded to them over the course of their releases, again, captured masterfully throughout 'Kaugummi' and 'Mad Kau'.


54. 'Keep Our Love Alive' by Gyratory Allstars 

Gyratory Allstars

Through the release of their debut self-titled EP, The Gyratory Allstars offer an exciting take on imaginative soul music that brilliantly reflects Brighton's varied musical palette.  With a sound that finds itself steeped within a variety of the city's musical inspirations, the eleven-member collective features an excellent mix of predominately Brighton-based musicians from a variety of different styles and genres.  


55. 'Like A Sparrow' by Lis Wessberg featuring Karmen Roivassepp 

Twain Walking; April Records

With over 30 years as a performing musician under her belt, it's something of a remarkable statistic that Danish trombonist Lis Wessberg only unveiled her debut full-length back in 2021 for April Records.  Having contributed to the recording of over 40 albums, Wessberg has performed on stages around the world and has now seems to have caught the recording bug as we celebrate the release of her sophomore album a mere three years after her debut.  A fantastic all-round release, 'Twain Walking' boasts the further distinction of showcasing the talents of vocalist Karmen Rõivassepp on two of the album's tracks.


56. 'Love Will Come Around' by Resolution 88 featuring Vanessa Haynes 

Vortex; Synthethesia

Making no bones about their brand of jazz-funk serving as a loving homage to the pioneering works of Herbie Hancock’s ‘Head Hunters’ project, Resolution 88 seek to steer their own music in similarly thrilling directions with their tracks noted for their hip-hop and broken beat tendencies.  Illustrious vocalist Vanessa Haynes features on the album's fantastic closing number marking the band's first official collaboration with a vocalist typically opting to maintain their status as a predominately instrumental outfit. 


57. 'Mani Di Fata' by Gianluca Vigliar 

Eclipse; A.MA Records

It's been a little over three years since Vigliar's last effort came to us in the form of 'Plastic Estrogenus' - an excellent and impassioned album that added its name to the increasingly longer list of contemporary jazz artists striving to bring awareness to environmental concerns including climate change and global warming.  For 'Eclipse', the saxophonist seeks to continue his environmental message but this time turns his attention from the sea to the sky.  Very high in the sky as Vigliar addresses man's burgeoning interference in space and the costly imprint that our technologies, satellites and overall litter can have as a result.


58. 'Menidaso (My Hope)' by Abase 

Awakening; Oshu Records

Àbáse has consistently made music that specifically veers from the beaten path. Continuously striving to disrupt even his own way of working – as if actively fearing the risk of complacency – Àbáse releases tend to find themselves immersed amidst new musical frameworks, collaborators, settings… and even cultures.  The Àbáse mastermind – Hungarian producer and keyboardist, Szabolcs Bognár – applies such a fascinating perspective to his music that makes each release not just one that represents a snapshot of Bognár at that time, but a release that serves as a meaningful piece within the Àbáse mosaic.


59. 'Mojo Picon' by M.CHUZI 

Yiri BOOM!; Sdban Records



60. 'Mother Earth' by Van Fleur

Setting the bar incredibly high with the release of her debut single, Shanell van Koeverden - under the guise of Van Fleur - offers up a sensational display of her talents with 'Mother Earth'.  Assuming duties as the song's vocalist, songwriter, producer and trumpeter, Van Fleur ushers in her complex and multi-layered composition that finds itself rooted in sublime neo-soul, contemporary jazz and a dreamy Latin-tinged aesthetic.  A keen performer and collaborator, 'Mother Earth' sees the Australian artist and musician take the decided steps towards centre stage - and it's potentially a step that has been a long time coming.  We're incredibly excited by the prospect of more music from Van Fleur and equally excited about the prospect of watching more of her story unfold.


61. 'Noor' by David Miilmann Group 

What's Left; April Records

Headed up by guitarist David Miilmann and comprised of band members Buster Isitt on guitar, Elias HP on bass, Svend Feldbæk Winther on keys and Theiss Nemborg on drums, the David Miilmann Group’s debut album 'Waiting For Myself' ushered in their soul-jazz aesthetic that drew from soul music's icons as much as jazz's. Finding inspiration in the form of Pat Metheny, Curtis Mayfield and Aretha Franklin, Miilmann was able to adapt his performance with a slide guitar in a bid to emulate his heroes which has done wonders for the band, in turn.


62. 'Now is Forever' by Aladean Kheroufi 

Studies in a Dying Love; We Are Busy Bodies



63. 'Oiseaux D'abord by Daida 

La Traversee



64. 'On (dis)Information and (dis)Belief' by Bright Dog Red 

Bad Magic; Ropeadope Records

Introduced initially via their debut 'Means to the End' as an eclectic improvised ensemble embracing electronica and hip-hop, subsequent album releases have found Bright Dog Red plunge their music deeper within an electronica-meets-psychedelia soundscape that sees the band shift the genre's boundaries further afield with each album.  And with the band's latest offerings - 'Bad Magic' and 'Hegemonitized' - the unhindered narrative unfolds into inspired levels of imagination and ultimately spawning two separate albums, each with their own identities, concepts and motivations.


65. 'Oriit' by OTOOTO 

2nd Quake; April Records

Continuing their fruitful relationship with April Records, OTOOTO's fresh-faced full-length 'This Love is For You' introduced listeners to the band's vision for contemporary jazz which was bursting with innovative and inspired ideas and concepts underpinned by a sublime neo-soul aesthetic that worked wonders with the band's overall compositions.  With three album releases over the course of four years, the quintet boldly seek to reinvent their sound and are able to conceive a new album that finds entirely new inspiration within an even more eclectic soundscape.


66. 'Out of Season' by Andy Watts 

The Way Back From Here

For the past fifteen years, Andy Watts has perhaps become best known as a key contributor to the London Afrobeat Collective - currently celebrating the release of their fourth studio album, 'Esengo', the spirited, high-energy ensemble have cultivated a reputation as ferocious live performers with a dynamic "anything goes" approach to their music.  Despite their sound rooted in afrobeat, the eight-person collective still embrace the freedom to explore other genres and styles, much like Watts strives for throughout 'The Way Back From Here'.


67. 'Pajarito Perdido' by PS5 

Echologia; Hyperjazz

The new album from Italian saxophonist, producer and composer, Pietro Santangelo, has found such an apt home through the Italian Hyperjazz Records – a label that’s committed to presenting new perspectives in contemporary jazz through a variety of genre-defying and genre-defining projects.  A revered improviser, much of that associated energy is masterfully captured by Santangelo and the team throughout this album with compositions continuing in that Hyperjazz style of joyful exploration.  Santangelo & company seem to celebrate the luxury of the playground afforded to them as members of PS5 through their continued efforts with 'Unconscious Collective' (2021) serving as a wonderful inclusion just as much as new project 'Echologia'.


68. 'Para' by MOMO featuring Jessica Lauren

Gira; Bartov Records

From Rio De Janeiro, guitarist and vocalist Marcelo "MOMO" Frota unveils a definitive gem in 'Gira' - genuinely an album that everyone should own!  Released through Batov Records, the album features an all-star line-up of collaborators including Emanative on drums for every track and guests including Rosie Turton, Liz Elensky, Jessica Lauren and Tamar Osborn.


69. 'Particles & Dust' by Principles of Joy 

JAZZ BRUT 0001; Q-Sounds Recording

For the launch of this enthralling new series, 'JAZZ BRUT 0001' assembles members from one of the label's marquis acts in the Principles of Joy.  Initially formed in 2017, the Principles of Joy unveiled an awesome introduction to their distinctive style via the stunning 'Strong Ain't Wrong' in 2019.  With the release of the band's third album at the top of this year, 'JAZZ BRUT 0001' marks an exciting transition for the group as they immerse themselves within the challenge of something new.  It's only right we shout out the incredible 'Kick Off the Road' single from the band also released earlier this year.


70. 'Places in Daydreams' by The Soul Sound Collective

The brilliant Soul Sound Collective delivered two fantastic single releases this year continuing in the vein of their innovative and sublime take on soul music.  With an organic and natural evolution over the years since their 2018 debut single, the collective headed up by Craig Sims has revelled in dalliances towards electronic aesthetics and 1970s-styled jazz-funk.  'Simpatico Way', also released this year, further deserves your time as does everything on the band's Bandcamp page so please explore their music further.


71. 'Pursuit' by Magro featuring Jess Reiss 

Tokyo Tree EP; Sonar Kollektiv

The release of 'Tokyo Tree' via the hallowed halls on Sonar Kollektiv marks a staggering - yet inevitable - achievement and milestone for drummer and producer, Mathis "Magro" Grossman.  The eight-track EP veers comfortably across nu-jazz territory, pulsing hip-hop production and twinges of electronica influences that all seamlessly blend into each other.  Musically, there's something of an homage to the spirit and vigor of club culture that is infectious and again serves as something of its own motivational force within Magro's music.


72. 'Race to the Bottom' by Honest Lee featuring Slanigiro Renguez 

Cosmic Justice; Growroom Productions

'Cosmic Justice', the second full-length release from Honest Lee, relishes in Mylie Durham's affections for collaboration - a revelation that should come as no surprise considering his long list of Growroom projects and productions for other artists.  Across the twelve-track release, Durham - who helms the clear bulk of instrumentation on the album - pairs with a range of top-tier talent to release a project that is broader in scope, more self-assured and indicative of Growroom's unwavering affection for music born of creative freedoms. 


73. 'Reminder' by Mathias Landæus 

Path

Swedish pianist Mathias Landæus holds the proud distinction of helming over twenty albums as a bandleader along with boasting an even lengthier list of projects that have recruited his exquisite skills over the years.  Through his new album 'Path', Landæus recruits the members of his heralded Landæus Trio for a sensational piece of work exploring creative freedoms, open improvisation and spirited interplay between its world-class cast.  With nothing short of sublime performances throughout the album, compositions embracing the 'mind', 'body' and 'spirit' punctuate an exceptional release that strives to paint the picture and make-up of the paths we all walk in our lives. 


74. 'Rock the Boat Remix' by L3Ni



75. 'Running' by Norah Jones 

Visions; Blue Note




76. 'Serafin' by Dimitri Howald 

Southern Return; XJAZZ

The variety that Dimitri Howald offers up with each release consistently leads to some compelling results and while the Swiss guitarist clearly excels when playing alongside like-minded musicians, there's something about his compositions as part of these solo projects that generates thrilling results - with sonic soundscapes both sweeping and immersive, so much of the compositions revel within various underlying inspirations.


77. 'Silhouette' by Jake Long 

City Swamp; New Soil

Perhaps best known for his role as band leader and drummer for the spiritual jazz ensemble, Maisha, whose 'There is a Place' album – released through Brownswood Recordings in 2018 – still ranks as one of the finest UK jazz releases over the last ten years.  Beyond Maisha, Long has continued to cement himself as a key collaborator amongst his peers scoring some inspired collaborations alongside Joe Armon-Jones & Maxwell Owin, Rosie Turton, Oscar Jerome and the hi-energy, genre fluid outfit, Snapped Ankles.  'City Swamp' is, for the most part, a notably bolder record than 'There is a Place', however, keen to embrace more stylistic elements in its make-up; while 'There is a Place' felt more celebratory, 'City Swamp' relishes in more dissonant themes punctuated by its more psychedelic aesthetic.


78. 'Soiree (Take 3)' by Haruka Nakamura 

Incense Music for Bed Room

Our second mention for the 'Incense Music for Bed Room' compilation that came out this year - 'Soiree (Take 3)' and 'Moon Child' by Uyama Hiroto served as the selection's two new and original pieces amongst a selection of tracks by Nujabes, Rhye and Kiefer.  For the Tokyo-based producer and multi-instrumentalist, Nakamura's pieces are often more sublime and understated particularly considering his efforts alongside vocalist LUCA.


79. 'Sounds & Sequences' by Daniel Sommer, Arve Henriksen & Johannes Lundberg 

Sounds & Sequences; April Records

Danish drummer Daniel Sommer hits the milestone of having now released the second part to his planned Nordic Trilogy through April Records.  Released earlier this year, the Nordic series was spearheaded by 'As Time Passes' with the follow-up arriving a mere six months later.  With much of 'Sounds & Sequences' generating some haunting and enigmatic soundscapes, the captivating mood seems at times to serve as a score for an unmade sci-fi movie; one that would be rooted in prophecy, beautiful vast open spaces and an enduring love that would overcome all challenges.  


80. 'Staring at the Sun' by Jamie Finlay featuring Caitlin LM 

Sun Dogs; Wah Wah 45s



81. 'Steps Ahead' by Rasmus Sørensen

Balancing Act; April Records

Having moved to New York in 2018, the pianist and composer has had the incredible opportunity to shape his own perspectives in entirely new ways by surrounding himself by New York's finest players and performers.  For 'Balancing Act', Sørensen's sophomore album release, the pianist continues his affections for trio arrangements this time pairing his piano alongside the brilliance of drummer Kendrick Scott and bassist Alexander Claffy.


82. 'Taking Off' by Leona Berlin

The always sensational Leona Berlin unveiled an impressive three singles this year (along with 'Off the Hook' and 'Brighter Day') with the promise of her third full-length to follow in 2025.  With two albums to her name, along with a clutch of standalone singles, remixes and collaborations, Berlin's Bandcamp page continues to deliver as the hub of her musical gems.  A genuinely essential voice for contemporary R&B and neo-soul, Berlin's sincere and impassioned music always results in an annual highlight which proves to be the case once again for latest single 'Taking Off'.  The cosmic-disco-inspired track finds Berlin suitably at home as her typically excellent vocal finds itself firmly at home on the uptempo number.


83. 'Tell Me Myths' by SHOLTO featuring Elle Músa

Letting Go of Forever; DeepMatter Records

Producer and musician Oscar "SHOLTO" Robertson unveils his 26-track opus in 'Letting Go of Forever'.  A fantastic and glistening musical mosaic brimming with inspiration and influences that needs to be experienced in its entirety in order to fully appreciate the genius of the project.  


84. 'Temperature's Rising' [Dusty Remix] by Mobb Deep 

Cloud Over Frequency Vol1; Oioji Records



85. 'Tesori Dimenticati' by Millie Mountain 

Fugitive of the Mind

As described by Mountain previously, 'Fugitive of the Mind' is an album "about freeing oneself from the mind".  A concept that elegantly allows the artist to explore themes of identity, self-confidence and address her own insecurities through a collection of impassioned pieces.  The songs throughout are a fantastic display of personality-driven soul gems that present a fascinating depiction of Millie Mountain as an emerging artist, just beginning to explore the vast capabilities she has at her disposal.


86. '(That) JoGo Groove' by The JoGo Project

Growroom Productions

Founded by Elijah Jamal Balbed, The JoGo Project celebrate their tenth year with an exciting new union alongside the fine folks over at Growroom.  The release of the new single '(That) JoGo Groove' serves as a wonderful (re)introduction to the Washington, DC, group and features the added bonus of Bravo Reds on vocals and revered P-Funk/New Power Generation trombonist Greg Boyer.  Serving as an infectious, feel good and up-tempo treasure, the single release is further bolstered by the release of the accompanying instrumental mix which proves just as compulsory a purchase.


87. 'The Beginning' by Egidio Rondinone featuring Valentina Magaletti, Sanja Markovic & Milena Jancuric 

OOPARTS; A.MA Records

Egidio Rondinone's prolificity as a musician, producer and DJ helps to usher in an inspired perspective on his music whether that be attributed to his work as a drummer alongside the Paolo Achenza Trio and Zona45 or as a rapper, beatmaker and founder of the hip-hop collective, Pooglia Tribe.  'The Beginning' boasts the wonderful distinction of hosting the wonderful talents of A.MA alum Milena Jancuric and Sanja Markovic each featuring on flute and vocals, respectively.  


88. 'The Best Thing' by New Jazz Underground 

Harlem to Havana: Afro-Cuban Modernism VOL.1

The new release from the New York-based New Jazz Underground once again provides a fascinating depiction of an innovative and creative jazz trio continuing to establish themselves as a defining voice for the genre.  Following past releases in 'Cartel' and 'THE MF DOOM SUITE', 2024 sees the trio once again redefining listener expectations with the release of their new EP, '"Harlem to Havana": Afro​-​Cuban Modernism VOL​.​1'.  Serving as their most involved set yet, New Jazz Underground showcase an entirely new dimension to their music with the project immersed within Latin American and Cuban rhythms masterfully interspersed with the progressive take on contemporary jazz. 


89. 'Thought I Wanted' by Alvin Cobb Jr featuring Nashon Holloway 

You'll Need This Later

The Atlanta-born and Chicago-based drummer Alvin Cobb Jr makes his official introduction to audiences by way of his fantastic debut album, 'You'll Need This Later'.  Cobb's music is ultimately the product of his varied make-up as a multi-faceted artist in every sense of the word.  His skills as a photographer and film score composer, notwithstanding his heralded collaborations alongside movement artist Ashwaty Chennat, present Cobb as an encompassing storyteller.  'You'll Need This Later' benefits from this unhindered, sincere and broad perspective on music that ultimately relishes the notion of collaboration across the album's thirteen tracks.


90. 'Too Scared to Say It Like It Is' by Teis Semey

En Masse!; Loumi Records

'En Masse!' marks the latest album release from Danish guitarist Teis Semey whose innovative perceptions of contemporary jazz continue to garner acclaim as his projects mount up.  As with 'En Masse!', Temey's projects find their charm in their imagination and while the aforementioned more energetic numbers are easy examples to cite as standouts, the album's more introspective numbers like the spotlighted 'Too Scared to Say It Like It Is' are just as captivating.


91. 'Twilight Far' by Eric Pan 

Travel Poems . Chapter 3 . There is no path back

Now totalling thirty songs over the course of three discs, the Travel Poems series is the brainchild of pianist Eric Pan from Taiwan and finds its inspirations within stories.  Cited as having a recording schedule that saw Pan perform across four continents alongside varying musical arrangements, there is a concerted effort for the music to be as immersive as possible with subtle inclusions of the hustle and bustle of small village markets, intricately interspersed with field recordings and local chanting.


92. 'Unaware Beauty' by Bruno Montrone featuring Serena Grittani 

Unaware Beauty; A.MA Records

Despite 'Unaware Beauty' marking the debut full-length release from the pianist,Bruno Montrone has proved himself a seasoned live performer and in-demand collaborator.  His work across the Italian jazz scene has taken him to projects as part of the Dino Plasmati Antonio Tosques Guitart Quartet, Guido Di Leone Quartet and collaborative projects alongside Paolo Benedettini, Joe Magnarelli and Domenico Cartago, among others.  'Unaware Beauty' affords Montrone the opportunity to take centre stage however thanks to the champions of Italian and European jazz in A.MA Records.


93. 'Undercover Lover' by Qendresa & Jamma-Dee 

Extra Soul Perception

It was a strong year for London vocalist Qendresa who can boast three single releases in 2024 along with the full-length 'Londra'.  Her collaboration with LA-based producer Jamma-Dee for the standalone single 'Undercover Lover' warrants special mention for its blissful 80s-infused production and excellent vocal.  


94. 'UntitEled#4' by Katarina Kochetova 

Beyond Motion; A.MA Records

'Beyond Motion' marks the debut full-length from the imagination of pianist, Katarina Kochetova, making her introductions by way of A.MA Records.  And what an introduction!  Kochetova's album - which also sees the gifted artist helm composition duties for the project - showcases her innate ability to create beautiful pieces of music presenting the rich elegance of neo-classical inspirations while still serving as inspired celebrations of contemporary and free jazz.


95. 'Untrue' by Flevans 

Nearby Bear Recordings

With former releases on Tru Thoughts and following a lengthy and successful stint at Jalapeno Records, the versatile DJ, producer and musician Nigel "Flevans" Evans steps out on his own with the formation of Nearby Bear Recordings.  As an artist in his own right, there's very little Flevans can't do - with past projects running the gamut from sample-laden, drum-heavy breakbeat funk to disco-tinged, dancefloor-centric numbers, down-tempo gems and sweet soul, Flevans has steered an incredible musical path over his extensive career.  Aside from the elegant and soulful 'Untrue', Flevans can further boast a fantastic remix of BADBADNOTGOOD's 'Sleeper' track which makes for a fantastic surprise to close the year out with. 


96. 'Vicentina' by Lophae 

Perfect Strangers

Boasting an incredible résumé that runs a phenomenal gamut of contemporary jazz and worldwide influences - the founder of the brilliant Teotima collective, producer of Juanita Euka's 'Mabanzo' project and guitarist for Jonny Wickham's 'Terra Boa' release really has been a part of some staple projects within UK jazz for some years.  Greg Sanders' welcome return to centre stage for his latest offering, Lophae, has us incredibly excited for the full-length 'Perfect Strangers' due in January 2025 and with the awesome quality of the album's preliminary singles have offered up thus far we have no doubt we'll find tracks from that album securing spots on our best of 2025 list.  


97. 'What I Came to California' by Nautilus featuring Eki Shola & Denise M'Baye

Oonops Drops

Released in support of Nautilus' latest full-length, 'Pacific Voyage', the Japanese jazz trio continue their run of reimagined classics with Leon Ware's 'Why I Came to California'.  Unfortunately, just missing out on inclusion for the album, this double A-side finds a lush home alongside the Soul Supreme remix of the classic Bobby Caldwell number 'What You Won't Do for Love'.  Two excellent guest vocals grace 'California' however including German actress Denise M'Baye and California-based vocalist, producer and multi-instrumentalist Eki Shola.  Infectious and up-lifting with an undeniable groove, 'Why I Came to California' is a brilliant and imaginative rendition of Ware's classic.


98. 'You and Me' by Daniel Garcia Trio featuring Lau Noah 

Wonderland; ACT Music

Marking his third release for ACT, pianist and composer García unveils a scintillating project in 'Wonderland'.  Teaming with long-time collaborators in double-bassist Reinier "El Negrón" and drummer Michael Olivera, 'Wonderland' explores the joys, imagination and intimacy of our own selves.  Proving something of a study into various aspects of human nature, García, Reinier & Olivera embrace those indefinable qualities and celebrate them across the album's twelve tracks.  


99. 'Your Soul' by Edy Forey 

Culture Today

Ultimately coming to the table from vastly different musical backgrounds, Polish-born singer-songwriter Edy Szewy and Parisian pianist Guilhem Forey were able to find common ground through each of their unwavering passions for music.  With Szewy predominately influenced by neo-soul and hip-hop, and Forey a devoted jazz fan, their combined efforts resulted in a sublime sonic palette that paid due praise to each's musical affections.  'Culture Today' showcases an inspired perspective on contemporary jazz-inspired neo-soul and is a project bolstered by some incredible guests including Ezra Collective's Femi Koleoso and Snarky Puppy's Michael League and Mark Lettieri. 


100. 'Yours' by Bill Laurance & Michael League 

Keeping Company; ACT Music

The release of the Bill Laurance & Michael League's 'Keeping Company' serves, comparatively, as a swift follow-up to their collaborative two-man debut with 'Where You Wish You Were', released just last year again through ACT Music.  The music across the album's eleven tracks is typically exquisite - a beautiful collage of folk-tinged, neo-classical jazz created by definitive masters of their craft.  While the project as a whole absolutely deserves every bit of your attention, it would be criminal not to emphasise the sheer perfection of 'Yours' which serves as the album's brightest moment.


Monday, 16 December 2024

'Argot' by Passepartout Duo



'Argot' marks the new full-length release from the inspiring musical combination of Nicoletta Favari and Christopher Salvito under the moniker of Passepartout Duo.


For pianist Favari and drummer/percussionist Salvito, the task of making music has become intrinsically linked to explorations about how we hear and process sounds.  Having now amassed an impressive array of electro-acoustic and free jazz-inspired projects, each Passepartout Duo release to date has become specifically tailored towards addressing that very concept.


And in what will go on to ultimately define the efforts of the Passepartout Duo, their experimentations occur via a range of ways and means including the use of both manipulated or newly-constructed instruments like the discarded metal and wood that was used to form the core basis of their album 'Vis​-​à​-​Vis' in 2020 or the significantly more advanced Chromaplane that the two invented in collaboration with synthesizer manufacturer, KOMA Elektronik.


Further to this, their musical quest has taken them across the world having graced stages and collaborated with local musicians in Japan, Italy, Peru, the US and China amidst an epic variety of additional lands and cultures.  It's a model that harks all the way back to Favari & Salvito's scintillating four-track debut EP, 'Ólafsfj​ö​r​ð​ur', which was subsequently named after the village they stayed in for nine weeks in Iceland where the project was created.


It's a staggering level of commitment and one that elevates the status of each project to exalted levels of imagination and inspiration.  Each project invariably becomes a compulsory and enthralling document all of its own; a puzzle piece as crucial to Passepartout Duo's over-arching mosaic as the project that preceded it and the one that will find life because of it.


The release of 'Argot' sees the Passepartout Duo once again further their scope of ambition by establishing a project that seeks to explore "how we communicate and collaborate with electronic devices".  Even considering this as a theme outside of the realm of music is fascinating in light of the burgeoning prominence of AI in our everyday lives; the ability to have software generate a song within seconds is perhaps something worthy of condemnation music enthusiasts but Favari & Salvito seek to tackle the situation through more inspired ways instead opting to ask how our place amidst it all changes.  


Looking past any fear or dread that we may have, the more constructive approach is almost to acknowledge the potential changes that lay ahead and to consider how we can best create harmony amidst all of these factors accepting our place within them all.  These discussions continue across the album's nine tracks with Passepartout embracing a synthesizer-inspired, electronic aesthetic presented beautifully alongside analog instrumentation.


'Argot' serves as a triumph within the gloriously evolving Passepartout Duo's catalogue and while Favari & Salvito will continue their experiments for future projects amidst a variety of alternate settings, collaborators and contexts, 'Argot' will be long-regarded as a compulsory instalment and one that will define their unparalleled vision for some time to come. 


Tuesday, 10 December 2024

'Terrarium' by Ali Watson



'Terrarium' marks the new album release from Scottish bassist, composer and bandleader, Ali Watson.


The increasing amount of innovative Scottish talent that continue to make an indelible contribution to the broad landscape that is contemporary jazz shows no signs of diminishing any time soon.  Already boasting a selection of incredible talent including Fergus McCreadie, Sophie Bancroft, Fat-Suit and Nimbus Sextet, Scotland can further lay claim to hosting the boundless talents of Ali Watson whose new full-length project certainly comes with high expectations.


Following on from his release in 2021 as head of the Ali Watson Trio, alongside Tim Lallemant and Tom Potter, the collective's sublime 'Moss' EP tentatively lays the groundwork for ideas that are perhaps more realised and fleshed out in 'Terrarium'.


There's a compelling contradiction in how one can interpret 'Terrarium' as a whole - on one hand, as heavily alluded to by the album's title and in comments released along with the album, there's a private solace that Watson seems to use the music here to reflect.  The idea of an almost romanticised solitude that affords us all the luxury of removing the pressures, demands and stresses of everything that waits for us outside our front door.  


Conversely, 'Terrarium' very much serves as a love letter to home.  It's an album that equally seems to celebrate Scotland and can be deemed very much to be steeped in Scottish tradition.  From the sublime twinges of Scottish folk that subtly embed themselves within Watson's compositions to the album's song titles that celebrate the land and environment itself to the sheer marvel of reindeer featuring on the album's cover - whether you find yourself locked away in your own private fantasy or whether you're embracing the reality of nature that lays in front of you, there's magic all around us which is what Ali Watson elegantly taps for this release. 


'Terrarium' is brought to scintillating life thanks to a selection of leading Scottish talent which includes long-time Watson friends and collaborators in saxophonist Matt Carmichael, pianist Alan Benzie and drummer Greg Irons.  The album's nine compositions represent an exquisite array of spirited performances alongside more introspective pieces that each generate some truly superb moments from all involved.  The Watson-solo of 'Earth', the tenderness of 'Solace' and the absolute treasure of 'Evening Song' are strong standouts amidst an album with too many to pinpoint.  


Ali Watson delivers an inspired statement of intent with 'Terrarium'.  A fantastic album that waves the flag once more for Scottish jazz but that also hails the arrival of Watson as a compulsory voice for the genre.


'The Great British Songbook' by Irene Serra & Luca Boscagin



'The Great British Songbook' marks the new album release from vocalist Irene Serra and guitarist Luca Boscagin who present an elegant homage to the revered lineage of British songwriters.


Irene Serra's overall enthusiasm for music continually finds innovative new ways in which to manifest itself.  The London-based, Italian-born and Denmark-raised artist has created a multitude of musical avenues that help to celebrate the varying facets of her own musical fandom as well as to showcase her unadulterated talents as a singer and performer.


Through her work alongside the vintage jazz ensemble, La Bouche Manouche, and their range of releases dating back to 'Roseland' in 2019 to the even longer-standing collective of Serra's quartet, ISQ; the latter of which presents a scintillating catalogue that revels within a haunting soundscape that perceives a noir jazz meets Massive Attack aesthetic.  Utterly brilliant!


And there's a kindred spirit found through her pairing with Luca Boscagin.  An impassioned musician and artist in his own right, the fellow Italian-born and London-based guitarist has notched up considerable successes including frequent performances around London (Ronnie Scott's, Pizza Express), collaborations alongside The Cinematic Orchestra and Jason Rebello and a series of solo releases including the stirring 'Ghost Light' three-track EP.


Between them, Serra and Boscagin have unveiled an inspired selection of songs to best represent their affections for British songwriters and the definitive classics they subsequently gifted to the world - from the Lennon–McCartney-penned 'Eleanor Rigby', to Sting's 'Every Little Thing She Does is Magic' for The Police, and the brilliant Genesis number, 'Jesus He Knows Me'.  The oft-celebrated British songwriter Rod Temperton is well-represented amidst the album's ten tracks chalking up interpretations of two classics including a considerably sultrier rendition of 'Give Me The Night' (originally recorded by George Benson) and an infectious take on Michael Jackson's seminal 'Off The Wall'.


While Serra absolutely soars throughout the more up-tempo songs, there's an exquisite sensitivity afforded to her performance for songs like the album highlight, 'Hide and Seek'.  The Imogen Heap gem from 2005 is a masterclass in break-up songwriting - a track ingeniously performed acapella with use of a harmonizer but, in the hands of Serra & Boscagin, transformed into an acoustic treasure with Serra's beautiful vocal capturing the song's aching emotion.


'The Great British Songbook' really does offer an objectively top-notch take from over sixty years of the country's timeless and classic releases.  With Irene Serra and Luca Boscagin at the helm, the album presents selections that are lovingly handled and delivered with the sincerity that we would have come to expect from the two boundlessly talented artists.  

'Here, Somewhere' by Banksia



There's something of an elegant evolutionary path that Banksia's music has navigated when you connect the dots of past releases leading up to 'Here, Somewhere'.  A renowned DJ who can boast having performed alongside acts including Major Lazer, Mura Masa and Chris Lake, Vasu Patel's 'Banksia' moniker has perhaps most notably been attributed to that of an advocate for electronic music and club culture.


Having spent time growing up in London, Zambia, Australia and now based in San Francisco, Patel adds his name to a small crop of musical scientists that have proved well-versed in being able to make their mark within varying musical genres and styles.  


But while there are some notable names that have made music that sits in the exquisite middle ground between jazz and electronica (K15, Kaidi Tatham, Uniri, Natural Lateral), 'Here, Somewhere' doesn't seem like a project that is attempting to straddle the space between two disparate musical realms - more like it's a project that is actively journeying from one to the other.  As the old adage declares, 'to know where you're going, you have to know where you've been' so although this project finds Patel embracing a comparatively new foray into jazz, his well-established credentials as a DJ and electronic music producer leave their own indelible imprint on these exciting new explorations.


Much like the equally sensational 'Clay' EP released prior, Patel's efforts on that project serve as the perfect precursor to the treasures that are unearthed on 'Here, Somewhere'.  Across the project's five compositions, we're treated to some beautifully composed pieces that centre around the piano but showcase the talents of some excellent performers that breathe scintillating life into 'Here, Somewhere'.


There's another element to 'Here, Somewhere' that provides a wonderful synergy between Patel's dalliance from life as a DJ to that of a jazz musician and that is through the concept of improvisation.  Two of the EP's tracks have been included as solely improvised pieces - untampered with and unveiled as they were originally recorded which serves as a fascinating transition from performing to an audience from behind the decks.  


As a musician, the discipline of improvisation has long been rooted in the ability to listen to the players performing alongside you, to respond in kind, to know when to take the lead and when to support; as a DJ, improvisation works in the same way - the ability to listen to an audience is equally key, to assess how they're responding to what's being played and to be able to change what you're doing completely to accommodate what that audience wants.  It's certainly an artform in of itself and a discipline that relies on being able to put ego aside for the benefit of the bigger picture.


Throughout this review, we've touched a couple of times upon the notion that 'Here, Somewhere' is the product of the Banksia releases that have come before.  This EP is by no means the destination reached however - it's encouraging to consider that as exceptional as 'Here, Somewhere' is, it will no doubt serve as the precursor to Vasu Patel's next evolutionary milestone amidst the grander mosaic of Banksia projects.


You can pre-save and buy your copy of the EP via the following link:

https://banksia.komi.io/music/here-somwhere


Wednesday, 4 December 2024

:n-the-m:x | November 2024



Welcome to our monthly mix series with each episode spotlighting 10 tracks that we were particularly excited about across various shows on Blue-in-Green:RADIO. This month showcases a selection providing a 40-minute excursion from eclectic R&B, some left-of-centre jazz, scintillating funk and lush electronica selections.


Music this month comes courtesy of...


'I Push Too' by Alawari (April)

'Goc Mevsimi' by Peki Momes (Mocambo)

'All I Can Do' by Oh My Sun (Bridge the Gap)

'Cigarette' by Victoria Port (First Word)

'Divano' by Biomania (Folded Music)

'Funerailles Celtes' by Gus La Temp (Laissedoudis)

'Don't Forget' by Fabio Tullio featuring Marta Capponi (A.MA)

'Runge' by OTOOTO (April)

'Epoustouflant' by Bandler Ching (Sdban)

'Harpa' [Fast Ghost Remix] by JG Stockton (Dragon Trax)


:n-the-m:x is exclusive to our Mixcloud channel so be sure to check back at the end of every month for future round-ups.


'East, West & Beyond' by Michael Simon & Asian Connection



The prolific nature of Michael Simon's approach to music-making is something to be heralded in of itself.  The trumpeter, composer and bandleader's deep appreciation for contemporary jazz and all its forms has proved to host an inspired perspective - while many contemporary acts seek to embrace the concept of fusion as a way to incorporate varying styles and genres of music from neo-soul, hip-hop, broken beat or even classical aesthetics, Simon's approach to fusion is rooted more within the concept of fusion from a more geographical perspective.


Across the litany of Michael Simon ensembles and collectives, the broad musical approach for each continues to serve as the distinguishing factor throughout each of his projects - from the self-explanatory sounds of the Dutch Caribbean Groove Orchestra, the African-meets-Caribbean-meets-South American make-up of the Atlantic Crossing Ensemble and The Congruent Five to the Latin jazz of Michael Simon & Roots United or the South-East Asian inspired MS-5.


Michael Simon & Asian Connection sees the Venezuelan-born and Rotterdam-based musician once again engage with a project steeped in a vast and ambitious scope.  Recorded in Taipei, Taiwan, 'East, West & Beyond' serves as the long overdue follow-up to the band's debut 'Destiny's Will' which dates back to 2010 and comprised of a live recording in Malaysia's No Black Tie jazz club.   


Comprised of musicians from The Netherlands, Taiwan, Japan, Malaysia and Indonesia, Asian Connection is made up of world class artists including saxophonist Terry Hsieh, pianist Sri Hanuraga, drummer Huang Tzu Yu, bassist Ikeda Kinya and Huayi Tsai performing on the pipa; the Chinese lute - or the pipa - proves to be a key inclusion amidst the band's line-up providing incredible depth and context to the over-arching Asian Connection sound.


'East, West & Beyond' dictates a wonderful narrative across the album's seven tracks.  From the vivacious opener in 'Cross Streams' to the subtle urgency of 'Sawunggaling' and the aptly-titled 'Soul Food', the ensemble perform with a captivating vigor that makes for a compelling listening experience.


There's something about Michael Simon's approach that seems to embrace the challenge.  The thing is, when immersing yourself amidst the wide array of Simon's music, none of it seems like a challenge at all.  His incomparable vision and willingness to regard jazz as a boundary-less artform - unhindered even by its geography or language - opens the door to thrilling projects like these that unite seemingly disparate people and cultures in ways not many would have the foresight to envision.